When I began writing The Shores of Our Souls, I knew my choice of point of view was critical. Point of view can make or break a story of interplay between cultures.

I started the novel in my protagonist Dianna’s point of view. I’d always been fascinated by Scout’s point of view in Harper Lee’s To Kill A Mockingbird – the voice of a little girl observing a world full of racism juxtaposed with her wiser, older self. I also grew up Southern, with my parents and ancestors from South Carolina, and me spending much of my young life in Virginia – surrounded by the cadence of Southern voices. At Hollins University, I learned to write what I knew, and I knew the Southern voice.  Shores began as Dianna’s story, her journey toward self-discovery and empowerment. Dianna of course is in her 20s, but is young and sheltered enough that her observations are still driven by curiosity, not judgment.

Yet Dianna meets Qasim in my novel’s second chapter, and he becomes instrumental in developing her world view, which until now, has been melded by a challenging yet insular home life.  I’d decided he was from Lebanon, a place I knew more about than the average American due to my career, travel, and friends. During first revisions, I decided to get to know him and his birthplace better.

As I crafted Qasim’s back story, I became immersed in a life so different than my own, and yet so similar. I had begun Shores to show how much cultures have in common, and my research and writing affirmed that belief.  Both Qasim and Dianna are damaged at first. They both experienced manipulation and trauma from the hands of loving parents.  Full of intellect, adventure, and passion, they are both held back, almost trapped as victims, by responsibility, world politics, and societal shaming.

Qasim’s story intrigued my readers, too. I decided to complete my novel in more than one point of view. Readers needed to connect with Qasim more than Dianna herself does, because Dianna alternately trusts and distrusts him, feelings common to a woman treading new love in any culture. The reader needed to know that Dianna wasn’t an entirely reliable narrator. I decided to write Dianna in third person point of view and Qasim in first person.

Just as an actor needs to “inhabit” a character, an author must walk a mile in a character’s shoes as she writes. I didn’t want flat, tidy characters; I needed to take risks with my protagonists’ flaws. Dianna, though she’s not a gold digger, does fall for Qasim for his outward persona – his age, prestige, and worldliness. Yet as she comes to know him, she begins to love him for who he is and not what he offers.  Qasim’s reserve, she learns, is a cultural dynamic, just as her own Southern roots molded her. Their love of family and country causes them both to be alternately judgmental, secretive, and selfish.

Writing Qasim brought me great joy. I’ve always loved the rhythm, music, and inflection of languages. Arabic, and the way Arabs speak English, fascinates me. Qasim’s dialogue made his character rich with detail and emotion.  I “found” Qasim’s voice in first person. In third person, his character fell flat and dull. Conversely, one way I made certain I wasn’t putting too much of my own youthful self into Dianna was through the distance of the third person.

My journey writing about Qasim and his culture, through his point of view, has only made me respect the people of the Middle East more. They are brave, strong, and gifted in business and the arts. If you like my novel, I urge you to read Middle Eastern and Arab American authors. They have a rich collection of books in English.

I was surprised when readers suggested I start my first chapter in Qasim’s point of view, but I’m glad I did. Shores remains Dianna’s story, but Qasim drives her story forward.  I hope my readers love both characters in all their human frailty, or at least understand what moves them a little better than they did before opening my novel. It’s these moments of connection and comprehension that save our souls—and our world.

The next time you’re reading or writing, notice point of view. Which viewpoint do you prefer? Why? Writers, do you tend to write in one point of view only? Do you choose point of view, or does point of view find you?

If you’d like to be notified when The Shores of Our Souls is ready to purchase this summer, go to Kathryn’s author site shoresofoursouls.com and click to read the first chapter now. If you’d like to continue the discussion of multicultural relationships, catch her upcoming series on http://yourtango.com/experts/kathrynbrownramsperger.

About the Author:

Kathryn Brown Ramsperger graduated Phi Beta Kappa from Hollins University, earning a B.A. in English, with an emphasis in creative writing. She has a graduate degree in Publications Management from George Washington University.

Kathryn worked as a journalist in Virginia and Washington, DC. Her first article was published by the Roanoke Times & World-News, and she continued to write for that newspaper until she moved to Washington, DC, where she became a researcher for the National Geographic Society and wrote for their children’s magazine WORLD, now National Geographic Kids, and the Society’s special publications. Her articles also appeared in Kiplinger’s Changing Times, now Kiplinger magazine, the Gazette newspapers, and Aspen health publications.  She’s written and edited for nonprofits ranging from The National Institutes of Health to The National Association of Alcohol and Drug Abuse Counselors to The Washington Ballet.

As Head of Publications for the International Red Cross and Red Crescent in Geneva, Switzerland, Kathryn lived and worked in Europe and Africa, travelling throughout the Middle East. Previously, her cause-related marketing for The American Red Cross gave a voice to the homeless, people living with HIV, neighborhoods reeling after a disaster, blood and bone marrow recipients, and refugees fleeing war and famine.

In 2000, she formed her own communications company, Ramsperger Communications in suburban Maryland, focusing on global relief and development, multicultural communication, women’s and children’s issues, and peace building. She’s also a coach for Creatives and parents of creative children and children with learning differences.

Her article, “Why So-So Grades Are OK (If Your Kid Has These 6 Traits Instead)” was the number one socially shared Expert article on yourtango.com in 2015. Her online articles have also appeared on Yahoo Parenting and The Good Men Project. Her most recent short story “A Rug, A Piano, A Quilt, A Voice,” appeared in Forge literary journal. The Penmen Review featured an excerpt from her novel The Shores of Our Souls in 2015.  The Shores of Our Souls received semifinalist recognition in the 2016 Faulkner-Wisdom international literary competition.

A lifelong writer, Kathryn’s first short story won a high school contest at Roanoke College. Her writing for humanitarian publications received two Hermes Creative Awards and multiple awards from the International Association of Business Communicators. Her first novel Moments On the Edge won the Hollins University Fiction Award. All Kathryn’s work focuses on peace and the connections people share.

Kathryn lives in the DC suburbs with her husband, two teens, and two cats. When she’s not writing, reading, and coaching, she’s singing.